
New Poetry & Open Mic, March 14, 3 pm, with Linda Haviland Conte, Timothy Gager, Eleanor Kedney

Join us for a reading of poetry by NEPC members with new books!
Until further notice, all events will be online; this series is free and open to the public.
Members will receive the zoom link information in a newsletter; please email info@nepoetryclub.org if you are not a member.
Bios for New Poetry Reading, March 14, 2021
Linda Haviland Conte is the author of Seldom Purely (Ibbetson Street Press, 2020) and Slow As A Poem (Ibbetson Street Press, 2002). Her work also appears in several anthologies and magazines. She was a panelist at the Massachusetts and New Hampshire Poetry Festivals (2017). Linda is Treasurer and Membership Coordinator for The New England Poetry Club. Seldom Purely is available at Lulu, Barnes & Noble, and Amazon.
People can message her through my website (lindaconte.net) to order my chapbook Slow As A Poem.
Timothy Gager is the author of sixteen books of fiction and poetry. His latest, an Amazon #1 Best Seller, Poems of 2020,is his ninth of poetry. Timothy hosted the successful Dire Literary Series in Cambridge, Massachusetts from 2001 to 2018, and as a virtual series starting in 2020. Timothy was the co-founder of The Somerville News Writers Festival. He has had over 600 works of fiction and poetry published, of which seventeen have been nominated for the Pushcart Prize. His work also has been nominated for a Massachusetts Book Award, The Best of the Web, The Best Small Fictions Anthology, and has been read on National Public Radio.
Purchase link:
2020 Poems by Timothy Gager | BigTablePublishing
Eleanor Kedney is the author of the full-length collection Between the Earth and Sky (C&R Press, 2020) and the chapbook The Offering (Liquid Light Press, 2016). Between the Earth and Sky is a 2020 Best Book Award Finalist in Poetry (American Book Fest). Her work has appeared in Miramar Poetry Journal, New Ohio Review, Under a Warm Green Linden, Sliver of Stone, and other journals, and anthologies. Her poem “Bubbles Blown through a Wand” won the 2019 riverSedge Poetry Prize (University of Texas Rio Grande Valley). “A Park Bench in Prague” was nominated for a Pushcart Prize by Fjords Review. Kedney is the founder of the Tucson branch of the New York-based Writers Studio, and served as the director for ten years. She lives in Stonington, Connecticut and Tucson, Arizona. Learn more at eleanorkedney.com.
To purchase Between the Earth and Sky please visit C&R Press: C&R Press or email Eleanor Kedney at eleanorkedney@yahoo.com for a signed copy.
Congratulations to NEPC poet Paul Nemser, winner of the Editor’s Choice Award from Red Mountain Press!

Paul Nemser’s new book A Thousand Curves, which is forthcoming in spring, 2021, won the Editor’s Choice Award from Red Mountain Press. The poems in A Thousand Curves find inspiration from nature, travel, mysticism, memory. Time is understood in glimpses—raindrops, tides changing, splashes of a waterfall. Sometimes the background leaps out of the foreground. Bugs grind leaves, a line from a rock song repeats and repeats. Here are ecstasies and nightmares, mysteries and clarities of daily life, fateful steps, chance encounters, donkeys braying, one nightingale calling, reflections off an office building’s floor-to-ceiling window. These glimpses can become a poem overnight or take decades to finish. In time the poems come together as a book that moves among traces of these myriad conversations. The internal speaks with the external. Permanence speaks with change. Ultimately the book is about the twists and turns that life takes over a lifetime, the record of a journey with a thousand curves.
“Paul Nemser’s A Thousand Curves contains many thousand brilliances—of language, of content, of perception—with each line indisputably in service to a larger wondering (Before this world,/we passed through clouds of others). Wild with insight and passion, these poems posit the marriage of body to world, flesh to thing, and exhibit an affinity for the beauty in the ordinary (Breathe in like screws turned in olive wood./Sigh out like milk-happy foals.) Most of all, these poems are visions from a grounded mystic, a speaker conversant with both the real and the mysterious, love and loss, this side of life and the other, and to experience the scope of this skill and ambition is thrilling. An immense and memorable achievement.”
–Joan Houlihan
“The particular pleasure of reading Paul Nemser’s poems emerges slowly, the reader paying close attention to the use of words, to the sophistication of form, until—suddenly—a cymbal crash that goes straight to the heart. We make our way, as Nemser writes in ‘After the Calm,’ ‘in weaves/of raspberries that thorn across fences fallen to gaps.’ Woven together are myths, impressions both internal and external, memories, and images. The greatest pleasure, though, at least for me, comes with the surprise of the line that shoots straight at and into us; and so, with clear eyes, we delight in, from ‘Morning After,’ ‘My pale, my pearl, my onions in a pan.’ Every one of Paul Nemser’s poems has its own surprises and its own rewards. Certainly, they engage the intellect, but time after time they open the heart.”
—Margery Irvine
About Paul Nemser
Paul Nemser grew up in Portland, Oregon, where he fell in love with poetry while reading in the storage room in back of his family’s tool store. He received an AB from Harvard College where he studied with Robert Lowell and Elizabeth Bishop, and an MFA in Writing from Columbia University School of the Arts where he studied with Stanley Kunitz and many others. He also received a JD from Boston University School of Law. His love of reading and writing poetry has continued throughout his life. Beside his new book, A Thousand Curves (Red Mountain Press, 2021), his book Taurus won the 2011 New American Poetry Prize from New American Press, and his chapbook Tales Of The Tetragrammaton (2014) was published by Mayapple Press. His poems appear widely in magazines, including AGNI, Beloit Poetry Journal, The Kenyon Review, London Review of Books, The Missouri Review, and Plume. He lives with his wife Rebecca in Cambridge, Massachusetts and Harborside, Maine.
Congratulations to NEPC poet Lisa DeSiro on the publication of her chapbook!

Lisa DeSiro’s chapbook, Simple as a Sonnet, is now available from Kelsay Books.
A collection of poems about the ups and downs of modern love, this book was appropriately published just prior to Valentine’s Day. Copies can be purchased direct from the publisher (https://kelsaybooks.com/products/simple-as-a-sonnet) or on Bookshop (https://bookshop.org/books/simple-as-a-sonnet/9781952326943).
NEPC Golden Rose poet Lawrence Ferlinghetti (1919-2021)
We are saddened by the news of the death of NEPC Golden Rose poet Lawrence Ferlinghetti.
“Ferlinghetti began his career at a revolutionary time in arts and music. In 1994, he still believed art could make a difference. “I really believe that art is capable of the total transformation of the world, and of life itself,” he said. “And nothing less is really acceptable. So I mean if art is going to have any excuse for — beyond being a leisure-class plaything — it has to transform life itself.”
Through more than half a century of writing and publishing, Lawrence Ferlinghetti did.” (from NPR)

From “Autobiography“
I am leading a quiet life
in Mike’s Place every day
watching the pocket pool players
making the minestrone scene
wolfing the macaronis
and I have read somewhere
the Meaning of Existence
yet have forgotten
just exactly where.
But I am the man
And I’ll be there.
And I may cause the lips
of those who are asleep
to speak.
And I may make my notebooks
into sheaves of grass.
And I may write my own
eponymous epitaph
instructing the horsemen
to pass.
NEPC poet Helen Marie Casey has a new chapbook!

Helen Marie Casey’s new poetry chapbook, “You Kept Your Secrets”, is available from Finishing Line Press. Susan Edwards Richmond has written of the book: “In this deeply affecting collection, Helen Marie Casey chronicles the aftermath—and persistence—of loss in the absence of a beloved child. “What do we become when we cease to be/who we were?” the poet asks, a question that resonates for subject, author, and reader alike. These poems both celebrate a brief life, “you/young boy, hawk-like, spreading/your sweatered wings wide” and map the ever-widening circles of pain and joy.”
Congratulations to NEPC poet David Wyman!

David Wyman’s poetry collection Violet Ideologies has been published by Kelsay Books. This is Wyman’s second book; his first, Proletariat Sunrise, came out on 2017, also from Kelsay Books. The poems express a dissident sensibility often exploring themes of our commodified identities in a culture subsumed by capitalism.
His poems have appeared in BlazeVOX, Dissident Voice, Zombie Logic Review, Clockwise Cat, Picaroon Poetry, The Voices Project, Squawk Back, Tuck Magazine, S/WORD and Genre: Urban Arts among other publications. He’s a fan of Noam Chomsky, jazz guitar and the visionary poetry of William Blake.
Violet Ideologies is available on the Kelsay Books website, on Amazon.com, Barnes&Noble.com, and Powells.com
Violet Ideologies, David Wyman’s second collection, lays out a brilliant spectrum of incongruous ideas. It’s ominous yet funny, apocalyptic but oddly serene, a splice of the beautiful and the monstrous. The result is “a binary like foxglove” where the language of Wall Street is grafted to the poetics of the natural world. It is a book for our times, when translating corporate-speak has become almost impossible and the day’s “official transcript gets redacted.” Ever get the feeling you’ve been cheated? Wyman asks and the answer is evident. Still, he won’t stop reminding us there is more to see than spread sheets and trendy electronica: horses gathered along a stone wall, a pub where poems taste like hard cider, songs sung to infants. Commodified language insists on a mandatory unity, even as lyricism escapes its confines again and again. Can the binary be broken? The book isn’t saying.
Lori Lamothe author of Kirlian Effect
In Violet Ideologies, “worn hearts/turn meaning into value.” Wyman knows that as sure as authority is constructed, “Landscape is temporary too.” Things are held in orbit by the caustic sting of pure feeling. It’s never a slow tectonics, but a rapidly shifting reality. Writing to “awakening/to an even greater understanding/of the inner dimensional self” is an uncomfortable benediction.
Jess Mynes author of One Anthem


