Patricia Sheppard, The Running of the Brides

Samuel Washington Allen Prize Honorable Mention, selected by Marilyn Nelson

The Running of the Brides

Were I to marry you today, as it says in the Song

of Songs, I will rise now, and go about the city

in the streets, and in the broad ways,

I would take the T to Downtown Crossing

to get a place in line before 6:30 a.m. when the doors

open at Filene’s Basement for the annual Running

of the Brides, the organza extravaganza, all wedding

dresses:  99.99.  No tax on clothes in Massachusetts,

but, keep the penny, call it an even hundred.

His lips like lilies, dropping sweet smelling myrrh.

His legs are as pillars of marble, set upon sockets

of fine gold:  his mouth is most sweet. 

I dash in with the other gals and grab one.

Some have come with their bridesmaids, mothers

and a strategy. Mom deploys to full length mirror;

the rest requisition all they can carry, piling dresses

in a free-form fortress.  The brides strip

to their underwear for fittings.  The smart ones brought

their own high heels, How beautiful are thy feet 

with shoes, O Prince’s daughter, and wore strapless

push-up bras.  They remembered rubber bands and bobby

pins to put up their hair, while mine is as a flock of goats.

No dress rehearsal for me.  I’m off

to Government Center and work by 8.

It won’t fit

through X-Ray screening.

I’ll ask my pal at Security

to wand it

while I hold it up,

a PAID sticker stuck on the tag

showing the dress is from Nieman Marcus

and worth 6 grand.  Oh, Needless Mark-up.

He motions me over.

So, this means it’s ov-ah between us? 

-Hey, Kevin, we’ll always have Boston.  

 

At the elevator, I get that sly, knowing smile

to which I respond demurely. The doors open.

Would you hit 22? Thanks. Slow today…

The joints of thy thighs are like jewels, the work

of the hands of a cunning workmanStay me 

with flagons, comfort me with applesO my dove,

that art in the clefts of the rock.

Lady with the wedding dress, your floor.

I try the side back door.  Damn, changed the code again.

I’ll have to get buzzed in at the front.

By the time I’m at my desk,

you’d think I were the Pied Piper.  Is there something, perchance, 

you have neglected to mention to your esteemed colleagues?  Because 

if you think you’re getting out of here without trying that thing 

on for us, you’re wrong.  Now, get your papers, they just switched 

our meeting to Conference Room B.  Remember, you’re covering 

number 3 on the agenda.  I hope you’re ready, Bitch.  

They’ll have coffee.  

Thy navel is like a round goblet, which wanteth not 

liquor: thy belly is like a heap of wheat set about with lilies.

I’m trying to pay attention, honest. This thy stature is like to a palm tree,

and thy breasts to clusters of grapes.  I’ve never been a traditional

bride, burdened with silver and china, duplicate toasters, certainly

not the first time, in my teens, when I was running away from home,

certainly, not now, as I plight thee my troth.

As for my dowry, I have books, school debts.

I gave up marriage, that bourgeois institution.

I wanted complete freedom.  I had lovers I loved

deeply. Others, of course, and, yes, a few blunders.

My life was satisfying, nothing was missing.

If someone had told me I would marry,

I would have said, You have the wrong crystal ball.  

We had just met.

I would cause thee to drink of spiced wine of the juice of my

pomegranate. Let him kiss me with the kisses of his mouth:  

for thy love is better than wine.  It happened through our bodies,

as all things must.  His left hand should be under my head, 

and his right hand should embrace me.  Our bodies together.

I said, I will goup to the palm tree, I will take hold of the boughs 

thereof: now also thy breasts shall be as clusters of the vine.

At some point, we were no longer running parallel

in individual ecstasies.  We slipped a boundary.

At first, I was frightened, the parts that had held me

together were disintegrating, but I did not turn back,

nor did you and you, too, were changing, inalterably.

We were no longer parts of which to make a greater sum.

We had broken           into a different dimension

where those terms had no distinction.

To answer the question, How did he propose?

That was never the question.

I am my beloved’s, and my beloved is mine.

Rise up, my love, my fair one, and come away.

For, lo, the winter is past, the rain is over and gone;

the flowers appear on the earth;

the time of the singing of birds is come.

[Endnote:  Phrases throughout are from The Song of Solomon,

in mixed order.  See, generally, chapters 1-8, King James Version (KJV).]

 

 

Patricia Sheppard is a Visiting Scholar at Brandeis University, Women’s Studies Research Center. She is the author of a chapbook, If You Would  Love Me, (Finishing Line Press, 2018). Her poems have appeared in The Antioch Review; The Hudson Review; The Iowa Review; The Nuclear Age Peace Foundation (winner, First Place, Barbara Mandigo Kelly Peace Poetry Contest, 2015); in Irises: The University of Canberra Vice-Chancellor’s International Poetry Prize 2017, (Australia), a compendium of prize winners and selected entries; and elsewhere.